Today’s post is the penultimate stop in a fantasy book tour. The post was provided for me and if you keep going all the way to the end there is even a giveaway!
One of the most enjoyable and most challenging parts of writing fantasy is the world-building. There are fantasy writers who spend years creating a world before they feel ready to write a story set there. They have maps, detailed histories, notes of the flora and fauna and knowledge of political factions in every country – but they don’t have a book.
I’m very different from this. I’m what is sometimes known as a pantser (as in flying by the seat of the pants) although the term I prefer is discovery writer. What this means is that I discover the story, and the world, as I write.
When I sat down to write Ashael Rising, I knew very little about KalaDene. In fact, it didn’t even have a name until the third draft or so. My world-building was all done as I went along. I once heard an excellent description of the process; it explains just what it feels like to me so I’m going to share it here. World-building for me is like walking through a tunnel (the world) with a torch (the story) so I can see as much of the world as the story shines a light on and a little bit around the edges but everything else is just fuzzy shapes in the darkness, with maybe a puff of cool air indicating that there might be a door to somewhere else off to the left.
There are advantages and disadvantages to both approaches. For example, sometimes I could spend most of my writing time for the day trying to figure out how the limits to the magic system worked or whether the climate I’ve described would support the plants that I have my characters eating. That’s not a particularly efficient use of my time and would not have come up had I built my world in advance. On the other hand, people who have created an entire world before writing a book will often find that they have wasted time in building details that they do not need for the book – time that could have been spent writing.
The only major drawback that I’ve experienced is that, since I make things up as I go along, I have no idea what will end up being important and I must try and keep the elements of an entire world straight in my head – something the planners don’t have to do. I have taken to keeping a world-building file open while I write, somewhere to make notes of characters that I’ve introduced, plants that I’ve made up along with their uses, distances between places and so on. The thing is, I’m pretty bad at actually updating the file. While I’m writing, I’m too involved in the story to keep stopping and starting and switching files. More than once I’ve found myself having to search back through the text to check how I spelled something a few chapters ago or whether or not I said a particular plant was poisonous or what someone’s name is. Again, not the most efficient use of my time. Still, efficient or not, it is the way that works for me and it’s the way I’ll continue to work for the time being.
The giveaway is for a £20 Amazon gift card and an eCopy of the book and there will be 1 winner. Enter using this link to the rafflecopter website.
Ashael is a hunter-gatherer woman, apprenticed to Bhearra, the healer and spiritual leader of their tribe.
The Zanthar are invaders from another world who extend their own lives by stealing the life-force of everything around them. They were last seen on KalaDene 200 years ago. They have returned, looking for The Vessel, a being prophesied to hold the life-force of the land.
Iwan is a slave to the Zanthar, the descendant of the folk that were taken as slaves the last time the Zanthar visited this world. He is sent out as a spy, while his mother is held hostage to ensure his compliance.
When Iwan and Ashael meet and she invites him to stay in Oak Cam, neither of them realise that she is the one the Zanthar seek. The fate of KalaDene and all of its people rests on Ashael’s shoulders.
Shona Kinsella is a fantasy author who lives near the bonnie, bonnie banks of Loch Lomond, in the west of Scotland. She is a member of the British Fantasy Society where she writes reviews of indie books. Shona has a degree in Law from the University of Strathclyde where she learned a lot about narrative structure.; everyone loves a story.
Shona enjoys spending time outdoors and much of her writing is inspired by the environment that she lives in, at the edge of Scotland’s first national park. When she is not writing, she enjoys geocaching with her husband and children and reading as many books as she can get her hands on.